San Carlos Borromeo Cemetery
1 hour
The San Carlos Borromeo cemetery, opened in 1832, is a privileged witness to the history of Salamanca that has grown and transformed over time at the hands of notable architects, until reaching its current appearance.
It is the resting place for essential figures such as Miguel de Unamuno, Filiberto Villalobos, Dorado Montero, Rafael Farina, Basilio Martín Patino, or Agustín Casillas, whose tombs and pantheons help to trace two centuries of social and aesthetic changes in funerary practices. After successive extensions, a recent municipal intervention in the signage reinforces the patrimonial interpretation of this space, connecting the memory of the place with the living history of the city.
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It is the resting place for essential figures such as Miguel de Unamuno, Filiberto Villalobos, Dorado Montero, Rafael Farina, Basilio Martín Patino, or Agustín Casillas, whose tombs and pantheons help to trace two centuries of social and aesthetic changes in funerary practices. After successive extensions, a recent municipal intervention in the signage reinforces the patrimonial interpretation of this space, connecting the memory of the place with the living history of the city.
The first attempt to establish a general cemetery in the city took place in 1811 on French initiative in the Villasendín orchard, an old recreational property of the Jesuits that the Conciliar Seminary of San Carlos Borromeo had acquired in 1781. This first cemetery was blessed on May 23, 1812, but its existence was brief, as it ceased to function with the withdrawal of French troops.
After a failed project in El Calvario during the Liberal Triennium, the threat of a cholera epidemic in 1832 forced health authorities to act. It was proposed to establish a general cemetery in the same Huerta de Villasendín, a project commissioned to the architect Tomás Francisco de Cafranga. Its cost exceeded 34,000 reales, of which the bishop advanced 20,000, which consolidated its predominantly ecclesiastical character.
The ownership of the cemetery has been subject to changes throughout history due to political shifts. Although it was under municipal administration in periods such as the regency of Espartero (1841), the Progressive Biennium (1854-1857), the Revolution of 1868, and the Second Republic (1932-1937), it was definitively returned to the Church during the Civil War to Bishop Plá y Daniel. Currently, its management corresponds to the Salamanca City Council, and since 2002 it has been managed by the company Parque Cementerio S.L.
Since its inauguration in 1832, the enclosure has undergone various reforms and extensions. In a first phase, the chaplain's house, the San Antonio gallery, and a civil cemetery annexed to the Catholic one were built. In 1867, the architect José Secall y Asúnsion redesigned the façade and expanded the space with the San Luis gallery, in addition to arranging streets and planting trees. It would not be until 1920 when the architect José Yárnoz carried out a third major expansion that gave it the physiognomy that characterizes it today.
After a failed project in El Calvario during the Liberal Triennium, the threat of a cholera epidemic in 1832 forced health authorities to act. It was proposed to establish a general cemetery in the same Huerta de Villasendín, a project commissioned to the architect Tomás Francisco de Cafranga. Its cost exceeded 34,000 reales, of which the bishop advanced 20,000, which consolidated its predominantly ecclesiastical character.
The ownership of the cemetery has been subject to changes throughout history due to political shifts. Although it was under municipal administration in periods such as the regency of Espartero (1841), the Progressive Biennium (1854-1857), the Revolution of 1868, and the Second Republic (1932-1937), it was definitively returned to the Church during the Civil War to Bishop Plá y Daniel. Currently, its management corresponds to the Salamanca City Council, and since 2002 it has been managed by the company Parque Cementerio S.L.
Since its inauguration in 1832, the enclosure has undergone various reforms and extensions. In a first phase, the chaplain's house, the San Antonio gallery, and a civil cemetery annexed to the Catholic one were built. In 1867, the architect José Secall y Asúnsion redesigned the façade and expanded the space with the San Luis gallery, in addition to arranging streets and planting trees. It would not be until 1920 when the architect José Yárnoz carried out a third major expansion that gave it the physiognomy that characterizes it today.
Within its walls rest numerous significant personalities of local and regional history.
In addition to the tombs and pantheons, the enclosure has other areas of interest that reflect its historical and social evolution, such as the Chapel, the Third Extension of 1918-1920, the Glorieta and San Cebrián Crossing, the Children's Area, the Civil Cemetery, the Civil War Memorial, the Military Cemetery, the Angel of Death, the Main Façade, and the Cross of the Irish.
In addition to the tombs and pantheons, the enclosure has other areas of interest that reflect its historical and social evolution, such as the Chapel, the Third Extension of 1918-1920, the Glorieta and San Cebrián Crossing, the Children's Area, the Civil Cemetery, the Civil War Memorial, the Military Cemetery, the Angel of Death, the Main Façade, and the Cross of the Irish.
Illustrious people buried in the cemetery:
Manuel Villar y Macías
Filiberto Villalobos González
Gonzala Santonja Delgado
Venancio Gombau Santos
Miguel de Unamuno
Enrique Esperabé de Arteaga Lozano
Pedro Dorado Montero
Norberto Cuesta Dutari
Rafael Farina
Felipe Lucena Conde
Agustín Casillas Ossado
Cándido Amsede Roqueto
Basilio Martín Patino
Carlos Revilla González
Pantheons of interest:
Pantheon of Don José Durán Cabezas
Pantheon of the Marquis of Albayda
Pantheon of José Núñez Larraz
Pantheon of Fernando Íscar Juárez
Pantheon of the family of Dª Teresa de Zúñiga y Cornejo “La Corneja”
Pantheon of Dª Cándida López Moro
Pantheon of the Brusi family
Pantheon of the Marquises of Villa Alcázar
Pantheon Eloy Lamamié de Clairac y Trespalacios
Pantheon of Antonia Carabias Díaz
Pantheon of Antonio Fernández
Family Pantheon of Dº Laureano Ramos Aloal
Pantheon of Luis Nieto and Dª Purificación Hernández
Pantheon of D. Bonifacio Diego García
Manuel Villar y Macías
Filiberto Villalobos González
Gonzala Santonja Delgado
Venancio Gombau Santos
Miguel de Unamuno
Enrique Esperabé de Arteaga Lozano
Pedro Dorado Montero
Norberto Cuesta Dutari
Rafael Farina
Felipe Lucena Conde
Agustín Casillas Ossado
Cándido Amsede Roqueto
Basilio Martín Patino
Carlos Revilla González
Pantheons of interest:
Pantheon of Don José Durán Cabezas
Pantheon of the Marquis of Albayda
Pantheon of José Núñez Larraz
Pantheon of Fernando Íscar Juárez
Pantheon of the family of Dª Teresa de Zúñiga y Cornejo “La Corneja”
Pantheon of Dª Cándida López Moro
Pantheon of the Brusi family
Pantheon of the Marquises of Villa Alcázar
Pantheon Eloy Lamamié de Clairac y Trespalacios
Pantheon of Antonia Carabias Díaz
Pantheon of Antonio Fernández
Family Pantheon of Dº Laureano Ramos Aloal
Pantheon of Luis Nieto and Dª Purificación Hernández
Pantheon of D. Bonifacio Diego García