GARCIGRANDE PALACE
15 minutes
It was built in the 16th century for the lords of Zataraín and Zaratán; in the 18th century, they received the title of Viscounts of Garcigrande, the name by which the palace would be known from then on. Over the years, the property passed through several hands until, in the mid-20th century, it was acquired by the Caja de Ahorros de Salamanca (Salamanca Savings Bank), which carried out a complete renovation of the building. It is currently the headquarters of Unicaja. Among its most notable architectural elements are the Renaissance doorway and the distinctive chamfered windows.
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It was erected in the mid-16th century by Francisco Girón de Villasandino, passing by sale to the Castillo Portocarrero family in 1564. In 1761, the palace owner received the title of Viscount of Garcigrande, which is why from then on the building was named Garcigrande Palace. There is no documentation available about the architect, but it has been attributed to the circle of architects close to Rodrigo Gil de Hontañón or even to Hontañón himself.
In the late 19th century, the V Viscount of Garcigrande sold the palace to the banker Florencio Rodríguez de la Vega, who set up his office there. The building then had different uses until 1960, one year before its declaration as a National Monument, when it was acquired by the former Caja de Ahorros de Salamanca (Salamanca Savings Bank). In 1963, architect Luis Gutiérrez Soto completely remodeled the building to adapt it as the bank's headquarters. The main building occupied the Garcigrande Palace and the plot located to the north, facing Calle de las Isabeles. The palace was completely emptied, retaining only its facade. In addition to its total interior reconstruction, a gallery set back from the facade was erected on the roofs of the old building. On Calle de Zamora, the union of the palace with the new building was achieved by inserting a doorway inspired by those of Gil de Hontañón. The new seven-story building was also topped with a historicist gallery. The complex, all made of Villamayor stone, was inaugurated in 1969.
In the late 19th century, the V Viscount of Garcigrande sold the palace to the banker Florencio Rodríguez de la Vega, who set up his office there. The building then had different uses until 1960, one year before its declaration as a National Monument, when it was acquired by the former Caja de Ahorros de Salamanca (Salamanca Savings Bank). In 1963, architect Luis Gutiérrez Soto completely remodeled the building to adapt it as the bank's headquarters. The main building occupied the Garcigrande Palace and the plot located to the north, facing Calle de las Isabeles. The palace was completely emptied, retaining only its facade. In addition to its total interior reconstruction, a gallery set back from the facade was erected on the roofs of the old building. On Calle de Zamora, the union of the palace with the new building was achieved by inserting a doorway inspired by those of Gil de Hontañón. The new seven-story building was also topped with a historicist gallery. The complex, all made of Villamayor stone, was inaugurated in 1969.
The Garcigrande Palace is a large building with facades facing both Plaza de los Bandos and Calle de Zamora. It has undergone extensive renovations throughout its history, but still retains its perimeter walls and some of its original windows. The main facade, built with high-quality ashlar masonry, contrasts with the side facade, which was erected with irregular stonework. Today, its two floors feature windows and balconies, but in old photographs, it can be seen that the walls had very few openings, offering a much more solid appearance.
The main doorway is the most prominent element of the building, showing a strong resemblance to that of the Figueroa Palace. It consists of a semicircular arch, framed by columns with fluted shafts topped with elegant Plateresque capitals. In the spandrels of the arch, two splendid medallions are displayed. Above the entablature, an opening flanked by coats of arms is found. Above the window is the main coat of arms, supported by childlike figures, bearing the surnames Espinosa and Santiesteban. The sides display the surnames Brochero and Santiesteban, on the right, and Girón and Guzmán, on the left.
The medallions have been carved with great delicacy and are reminiscent of those of the Figueroa Palace and those in the courtyard of the Arias Corvelle Palace. The male figure is dressed in Renaissance fashion, bearded and with a hat; the lady depicted in the other medallion is also dressed in the fashion of the era. As in the case of the Figueroa Palace, the medallions could represent idealized portraits of the palace's owners.
Also very interesting are the corner window and balcony, whose jambs and arches on imposts show a characteristic 16th-century decoration. They are unique in the city, as we can only cite the window of the Casa de los Niños del Coro, which is walled up.
The main doorway is the most prominent element of the building, showing a strong resemblance to that of the Figueroa Palace. It consists of a semicircular arch, framed by columns with fluted shafts topped with elegant Plateresque capitals. In the spandrels of the arch, two splendid medallions are displayed. Above the entablature, an opening flanked by coats of arms is found. Above the window is the main coat of arms, supported by childlike figures, bearing the surnames Espinosa and Santiesteban. The sides display the surnames Brochero and Santiesteban, on the right, and Girón and Guzmán, on the left.
The medallions have been carved with great delicacy and are reminiscent of those of the Figueroa Palace and those in the courtyard of the Arias Corvelle Palace. The male figure is dressed in Renaissance fashion, bearded and with a hat; the lady depicted in the other medallion is also dressed in the fashion of the era. As in the case of the Figueroa Palace, the medallions could represent idealized portraits of the palace's owners.
Also very interesting are the corner window and balcony, whose jambs and arches on imposts show a characteristic 16th-century decoration. They are unique in the city, as we can only cite the window of the Casa de los Niños del Coro, which is walled up.
It features a room accessible from Plaza de los Bandos, where temporary exhibitions are held.